Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

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感觉故事很精彩，觉得挺喜欢张小斐的，还有其他人的演技也挺不错的，推荐各位一起看，挺不错的。拯救嫌疑人》是一部犯罪悬疑的电影，指导这部电影的导演则是张末，可能很多人都不太认识她，但是提到她的父亲张艺谋，相信不少人都会竖起大拇指。张艺谋是中国电影史上赫赫有名的大导演，前段时间北京冬奥会就是由他执导的，代表作品更是数不胜数。如今张艺谋的女儿张末选择继续在导演这条路上发光发热，也是受到了张艺谋导演的启发。

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电影该剧是一部动作犯罪片，由著名导演王晶执导，张家辉、阮经天、王大陆等一众演员出演。故事讲述了洪泰集团内部一场惊心动魄的斗争，神秘杀手陈安（张家辉饰）和他的两个对手麦朗汶（阮经天饰）和马文康（王大陆饰）之间的较量。这部电影特效精彩，动作场面火爆，是一部值得一看的电影。

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整部电影都在展现家庭的力量，无论是姐弟俩还是父亲，都在为了家庭而努力奋斗。他们的行为不仅让我们感受到了家庭的温暖，也让我们看到了成长的意义。

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“Thefactis,theideaofawriterkillingherhusbandisfarmorecompellingthanateacherkillinghimself”，影片一直在引导观众去相信谋杀才是事实，或者说大部分观众都会先入为主地相信这一事实，于是我们更会关注女主角是如何利用她小说家的头脑以及法庭上律师之间的巧辩来为自己开脱，在这一过程中我们所能挖掘到的是一条条穿梭在妻子、丈夫、文字创作者、后天致盲的儿子、家人等多重身份之间的矛盾，从一开始就让人进入故事，真的是很名副其实且超出意料的金棕榈。不过觉得引导性太强了，不必再夸